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Reframing Photography: Theory and Practice, by Rebekah Modrak, Bill Anthes
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To fully understand photography, it is essential to study both the theoretical and the technical.
In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history and technique to bring photographic education up-to-date with contemporary photographic practice. Reframing Photography is a broad and inclusive rethinking of photography that will inspire students to think about the medium across time periods, across traditional themes, and through varied materials. Intended for both beginners and advanced students, and for art and non-art majors, and practicing artists, Reframing Photography compellingly represents four concerns common to all photographic practice:
- vision
- light/shadow
- reproductive processes
- editing/ presentation/ evaluation.
Each part includes an extensive and thoughtful essay, providing a broad cultural context for each topic, alongside discussion of photographic examples. Essays introduce the work of artists who use a diverse range of subject matter and a variety of processes (straight photography, social documentary, digital, mixed media, conceptual work, etc.), examine artists' conceptual and technical choices, describe cultural implications and artistic influences, and analyze how these concerns interrelate. Following each essay, each part continues with a "how-to" section that describes a fascinating range of related photographic equipment, materials and methods through concise explanations and clear diagrams.
Key Features:
- case studies featuring profiles of contemporary and historical artists
- glossary definitions of critical and technical vocabulary to aid learning
- ‘how to’ sections provide students with illustrated, step by step guides to different photographic methods, alongside related theory
- fully up-to-date, with both high and low tech suggestions for activities
- online resources at: www.routledge.com/textbooks/reframingphotography will update information on equipment and provide further activities, information and links to related sites
- lavishly illustrated, with over 750 images, including artists’ work and examples of photographic processes.
- Sales Rank: #356537 in Books
- Published on: 2010-12-23
- Original language: English
- Number of items: 1
- Dimensions: 9.60" h x 1.00" w x 7.40" l, 2.55 pounds
- Binding: Paperback
- 560 pages
Review
'Reframing Photography is excellent – very well-written, beautifully designed, clear and innovative in its structure – an ideal introduction to the current debates about theory and practice in photography.' – Louise Milne, Edinburgh Napier University, UK
'Reframing Photography is a wonderful accomplishment with its seamless treatments of theory and a liberated sense of photographs, how they can be made, and how they can look. It will end the senseless separation of photography and art, and technique from idea, right from the beginning. It reframes photography education.' – Terry Barrett, University of North Texas, USA
'The essays effortlessly link photography to a history of ideas, not simply a history of cameras and chemical processes. The book does not separate historical work from contemporary work, nor does it separate technique from theory. Past and present are in constant communication with the reader who becomes aware of inter-generational, historical, technological, cultural and transdisciplinary influences in photographic practice. This is how the best teachers understand the world and relate information to their students. A contemporary education in photographic practice has come of age with this book.' – Barbara DeGenevieve, School of the Art Institute of Chicago, USA
'This is a timely book which will be of enormous help to photography and arts students. It combines photography history, useful descriptions of artist’s practices and ideas, and technical information and tips, and encourages experimentation. The volume and website demystify a lot of aspects of practice that are not covered in more conventional books, and make it clear how enjoyable fine art photography can be.' – Michelle Henning, University of the West of England, UK
'Modrak and Anthes' handbook has all the qualities to become a pioneer in the effors to bridge the gap between the technical and the theoretical. Their work strikes a perfect balance between what one can find in technical handbooks on photography and what one should expect from a theoretically well-inspired study of the medium.' – Leonardo On-line
'Reframing Photography, the 560-page encyclopedic book on the subject includes everything about photography and then some. The book is for students, teachers and those in the self-taught orbit who want to do it themselves with a little help... There are fabulous essays written by the two authors, Rebekah Modrak and Bill Anthes, in each of the four subject parts, and they live up to the encyclopedia: dense, with history, science, and an interweaving of anecdotes of present day usage that reverberate with photography’s past.' – the art blog
‘...the content [of Reframing Photography] is literally mind-blowing. Bringing together rigorous theory, idiot proof "how to" tutorials, artistic works that illustrate each concept and method might sound a bit too much for a sole book written by only two authors but somehow, it works. Theory, techniques and illustrative works complement each other efficiently.’ – we make money not art
About the Author
Rebekah Modrak is a studio artist whose work has been shown at The Sculpture Center, Carnegie Museum of Art, and Kenyon College. She is Associate Professor in the School of Art & Design at the University of Michigan where she teaches courses involving photography, animation, mixed media, and photographic history.
Bill Anthes is Associate Professor of Art History at Pitzer College. He has received awards from the Georgia O’Keeffe Museum Research Center, the Center for the Arts in Society at Carnegie Mellon University, the Smithsonian Center for Folklife and Cultural Heritage, and the Creative Capital/Warhol Foundation Art Writers Grant Program.
Most helpful customer reviews
5 of 5 people found the following review helpful.
An Innovative and Refreshing Approach to Photography
By thinkart
I am at the beginning stages of my teaching career and I cannot tell you how important a resource this book has been for me. I am always striving to incorporate critical theory into my classrooms and encourage my students to take a more interdisciplinary approach to image-making and Reframing Photography perfectly marries the theoretical with the technical - thank you for putting it together!
This is a timely book given the ever-changing state of photography - it encourages readers to embrace the advancements, but not to the detriment of historical processes. The authors maintain an appreciation for the past with projects referring to historical processes and writings, and at the same time, remain firmly grounded in the now - this book is refreshing and a must read for anyone interested in the medium.
4 of 4 people found the following review helpful.
Finally! A book that can be used in multiple applications
By Garth Amundson
I've been using this book for several years and I have seen the direct results in the work produced by students. There is truly something for everyone in this book and students are able to not only acquire essential skills, but are also challenged by the provocative projects, suggestions, examples, and other resources provided in the text.
The combination of theory and practice is something I feel very strongly about, and until I adopted this text, I was forced to use a "technical" book and supplement courses with a "theory" text. The marvel of this book is that it's no longer necessary for students to buy an additional text, or force the instructor to constantly redirect them to additional resources. That said, the book also helps to initiate curiosity, so if students do want to pursue something further, the book and the website can be a great jumping-off point for bigger projects.
I'm redesigning my syllabi this year and using the book more directly. The teaching tools and website are an excellent enhancement, and the authors' attention to detail and constant updating makes it current and viable for any mixed media, photography, or foundation courses. I can be applied to literally any level of study.
The website is invaluable and I've used it in a multitude of ways: directing student undergraduates to graduate programs, showing the videos to introduce the students to practicing artists who testing the boundaries of photographic media, and the readings are a perfect complement to any course.
I rank this book as one of my favorites!
1 of 1 people found the following review helpful.
Bottomless Pit of Resources
By Stuart Murdoch
For my own pedagogical practice this book and its attendant website have become indispensable. If you are looking for fresh ways to inspire students about photography or just curious yourself about the history and processes this is a must own book.
See all 6 customer reviews...
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