Rabu, 29 April 2015

## Download PDF Routledge Handbook of Critical Criminology (Routledge International Handbooks)From Brand: Routledge

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The Routledge Handbook of Critical Criminology is a collection of original essays specifically designed to offer students, faculty, policy makers, and others an in-depth overview of the most up-to-date empirical, theoretical, and political contributions made by critical criminologists around the world. Special attention is devoted to new theoretical directions in the field, such as cultural criminology, masculinities studies, and feminist criminologies.

Its diverse essays not only cover the history of critical criminology and cutting edge theories, but also the variety of research methods used by leading scholars in the field and the rich data generated by their rigorous empirical work. In addition, some of the chapters suggest innovative and realistic short- and long-term policy proposals that are typically ignored by mainstream criminology. These progressive strategies address some of the most pressing social problems facing contemporary society today, and that generate much pain and suffering for socially and economically disenfranchised people.

The Handbook explores up-to-date empirical, theoretical, and political contributions, and is specifically designed to be a comprehensive resource for undergraduate and post-graduate students, researchers, and policy makers.

  • Sales Rank: #3614735 in Books
  • Brand: Brand: Routledge
  • Published on: 2012-01-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 7.25" w x 1.50" l, 2.50 pounds
  • Binding: Hardcover
  • 552 pages
Features
  • Used Book in Good Condition

Review

"The editors of this text provide a broad, impressive review of readings in the area of critical criminology... a welcome addition to the body of criminology and should be of interest to advanced criminology readers. DeKeseredy and Dragiewicz should be congratulated for bringing together the original works of a wide range of critical criminological thinkers.  Summing Up: Highly recommended."

―G. C. Leavitt, Idaho State University, in Choice Magazine, August 2012

"A welcome addition to the surprisingly small number of critical criminology collections currently available; there is enough quality within the 529 pages to recommend it for criminology library lists."

― Bruce M.Z. Cohen, Australian & New Zealand Journal of Criminology

About the Author

Walter S. DeKeseredy is Professor of Criminology at the University of Ontario Institute of Technology (UOIT). He has published 16 books and over 100 scientific journal articles and book chapters on. In 2008, the Institute on Violence, Abuse and Trauma gave him the Linda Saltzman Memorial Intimate Partner Violence Researcher Award. He also jointly received the 2004 Distinguished Scholar Award from the American Society of Criminology's (ASC) Division on Women and Crime and the 2007 inaugural UOIT Research Excellence Award. In 1995, he received the Critical Criminologist of the Year Award from the ASC’s Division on Critical Criminology (DCC) and in 2008 the DCC gave him the Lifetime Achievement Award.

Molly Dragiewicz is Assistant Professor of Criminology at the University of Ontario Institute of Technology in Canada. Her research interests center on gender, violence, and antifeminist backlash. She received the New Scholar Award from the American Society of Criminology's Division on Women and Crime in 2009, and recently published Equality With A Vengeance: Men's Rights Groups, Battered Women, and Antifeminist Backlash in the Northeastern University Press Series on Gender, Crime, and Law.

 

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0 of 0 people found the following review helpful.
Interesting but difficult reading
By AndiUpNorth
Interesting material. Reading difficulty is appropriate for graduate students than for undergrads.

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Sabtu, 25 April 2015

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Religion and religio-political forces have become potent influences in the domestic politics of many countries irrespective of geographical location, stages of economic growth, and systems of governance. The growing importance of religion as a marker of identity and a tool of political mobilization is reshaping the political landscape in an unprecedented manner, and South Asia, which contains the world’s largest populations of Muslims and Hindus with significant number of Buddhists, is no exception to this fact.

This book presents a comprehensive analysis of the interaction of religion and politics in Afghanistan, Bangladesh, India, Nepal, Pakistan and Sri Lanka. Although the specific circumstances of each country are different, in recent decades, religion, religio-political parties, and religious rhetoric have become dominant features of the political scenes in all six countries. The contributors offer a thorough examination of these developments by presenting each country's political system and the socio-economic environment within which the interactions are taking place. The analysis of the various factors influencing the process of the interactions between religion and politics, and their impact on the lives of the people of the region and global politics constitute the core of the chapters.

  • Sales Rank: #394220 in Books
  • Published on: 2010-03-24
  • Released on: 2010-02-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .52" w x 6.14" l, .80 pounds
  • Binding: Paperback
  • 228 pages

Review

http://www.thedailystar.net/magazine/2010/01/04/interview.htm

About the Author

Ali Riaz is Professor and Chair of the Department of Politics and Government at Illinois State University, USA. Previously he has taught at universities in Bangladesh and England, and worked as a broadcast journalist at the British Broadcasting Corporation (BBC) in London. His recent publications include Faithful Education: Madrassahs in South Asia (2008); Islamist Militancy in Bangladesh, A Complex Web (2008).

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Selasa, 21 April 2015

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Virtuous War is the first book to map the emergence and judge the consequences of a new military-industrial-media-entertainment network. James Der Derian takes the reader from a family history of war and genocide to new virtual battlespaces in the Mojave Desert, Silicon Valley, Hollywood and American universities. He tracks the convergence of cyborg technologies, video games, media spectacles, war movies, and do-good ideologies that produced a chimera of high-tech, low-risk ‘virtuous wars’.

In this newly updated edition, he reveals how a misguided faith in virtuous war to right the wrongs of the world instead paved the way for a flawed response to 9/11 and a disastrous war in Iraq. Blinded by virtue, emboldened by technological superiority, seized by a mimetic terror, the US blundered from one foreign fiasco to the next.

Taking the long view as well as getting up close to the war machine, Virtuous War provides a compelling alternative to the partisan politics, instant analysis and technical fixes that currently bedevil US national security policy.

  • Sales Rank: #1478511 in Books
  • Published on: 2009-02-07
  • Released on: 2009-02-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .83" w x 5.00" l, .80 pounds
  • Binding: Paperback
  • 368 pages

Review

Praise for 2nd Edition

'From Borges to Baudrillard and beyond, James Der Derian chronicles our ongoing obsession with war technology and our increasing disconnection with the reality of war. Eisenhower coined the phrase ‘the military-industrial complex.’ Der Derian has his own phrase, also powerful, thoughtful, and descriptive: ‘the military-industrial-media-entertainment network.’ A frightening thought, but also a central and illuminating thought for our times.' - Errol Morris, filmmaker

'There’s a marvellous unmasking here of the modern military-media-entertainment fantasy, a disease that pretends to be the cure… This is a book that brings theory and theorists to life, a book that horrifies and delights on virtually every page.' - Christopher Lydon, Open Source

'The expanded, brilliantly realized 2nd edition of Virtuous War makes indispensable reading. The world is catching up to Der Derian’s vision of where we are and what we must do about these lethal linkages of war, media, entertainment.' - Richard Falk, University of California, Santa Barbara, USA

Reviews of 1st edition:

'This eye-opening, entertaining and sobering study of the increasing 'virtualization' of American politics - and of war in particular - via media manipulation makes an important contribution to political, media and social studies...this fascinating and important material will make a splash in academic circles.' - Publishers Weekly

'The virtual wars that are being fought and planned are far from "virtuous," and the author is to be congratulated for bringing this simple reality to our attention.' - Political Affairs

'Der Derian is successful is mapping out this newly digitized world.' - New Political Science

'The first book to offer a "virtual theory" for the military strategies, philosophical questions, ethical issues, and political controversies surrounding the future of war and peace.' - TechDirections

'[Virtuous War] is an important book, and a relevant one, especially given the current administration's struggle to transform and finance a military suited to the 21st century.' - Proceedings

About the Author

James Der Derian is Research Professor of International Studies at Brown University, where he directs the Innovating GlobalSecurity and Global Media Project at the Watson Institute for International Studies. He has produced numerous books, articles, and documentaries on diplomacy, war, media, and technology, including, most recently, Critical Practices in International Theory (Routledge, 2008)

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8 of 9 people found the following review helpful.
Where previews of the future merge with flashbacks to the past
By Littoral Media
I've read Virtuous War a few times since the first edition came out in the summer of 2001, and I'm both continuously astounded and simultaneously saddened to see how timely and timeless it's become. Beginning at the end of the Cold War and concluding just months before 9/11, the first edition was a sort of millennial telescoping - looking back at one and into the next - intimating that "we seem to be approaching at great speed a virtual revolution in military and diplomatic affairs." Hitting the road where Baudrillard left off in 'America' (and I guess when U.S. policy makers really began losing their grip on Clausewitz), Der Derian travels through the deserts, shadowlands and virtual futures of post-cold war war games - mixing in a new wave sound-track with sound-bytes from military strategy and postmodern theory, slowing down from high-speed impressionism for information-packed interviews with influential war theorists - tracing along the way the emerging military and social transformations of the 90's.

From the first edition to the second, from simulated battles to real wars, it's like history in rewind. Anyone who thinks they know the "truth" and "solutions" to the current wars should get lost (with the rest of us) in this chronicle of the inter-wars. Paraphrasing the spirit haunting "Virtuous War", Walter Benjamin, the tragedy of "imperialist war" is how little we learn from it - yet Der Derian somehow illuminates while the world sleepwalks through genocide and war. It's a good read for military thinkers, or just anyone who feels like the present is drifting uncomfortably close to something out of sci-fi. I only wish that Der Derian would make connections between "Virtuous War" today and colonial and post-colonial histories, but maybe that's open space at the edge of the map where others can wander...

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Kamis, 16 April 2015

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Translation is a highly contested site in the Americas where different groups, often with competing literary or political interests, vie for space and approval. In its survey of these multiple and competing groups and its study of the geographic, socio-political and cultural aspects of translation, Edwin Gentzler’s book demonstrates that the Americas are a fruitful terrain for the field of translation studies.

Building on research from a variety of disciplines including cultural studies, linguistics, feminism and ethnic studies and including case studies from Brazil, Canada and the Caribbean, this book shows that translation is one of the primary means by which a culture is constructed: translation in the Americas is less something that happens between separate and distinct cultures and more something that is capable of establishing those very cultures.

Using a variety of texts and addressing minority and oppressed groups within cultures, Translation and Identity in the Americas highlights by example the cultural role translation policies play in a discriminatory process: the consequences of which can be social marginalization, loss of identity and psychological trauma.

Translation and Identity the Americas will be critical reading for students and scholars of Translation Studies, Comparative Literature and Cultural Studies.

  • Sales Rank: #1946488 in Books
  • Published on: 2007-12-14
  • Released on: 2007-11-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .53" w x 6.14" l, .0 pounds
  • Binding: Paperback
  • 232 pages

Review

'Edwin Gentzler's latest book travels a lively itinerary from north to south, investigating the complexity of language interactions from Quebec to Brazil. This is a vivid and strikingly original perspective on the melange of cultures which make up the Americas. ' Sherry Simon, University of Concordia, Canada

 

‘In this ground-breaking new book, Edwin Gentzler, one of the leading US translation experts, tackles the important question of the role played by translation in the shaping of the Americas.’ Susan Bassnett, University of Warwick, UK

"Translation and Identity in the Americas is an intriguing and well-researched work. It takes translation studies out of a narrow equivalence model, extending its range of reference to fiction, representation and bi- and multilingusalism while showing us possible new directions in translation theory."
-- Target, Vol. 22:2 (2010)

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Julien-David Leroy and the Making of Architectural History (The Classical Tradition in Architecture), by Christopher Drew Armstrong

This book examines the career and publications of the French architect Julien-David Leroy (1724–1803) and his impact on architectural theory and pedagogy.

Despite not leaving any built work, Leroy is a major international figure of eighteenth-century architectural theory and culture. Considering the place that Leroy occupied in various intellectual circles of the Enlightenment and Revolutionary period, this book examines the sources for his ideas about architectural history and theory and defines his impact on subsequent architectural thought. This book will be of key interest to graduate students and scholars of Enlightenment-era architectural history.

  • Sales Rank: #4347129 in Books
  • Brand: Brand: Routledge
  • Published on: 2011-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 7.00" w x .75" l, 1.70 pounds
  • Binding: Hardcover
  • 320 pages
Features
  • Used Book in Good Condition

About the Author

Christopher Drew Armstrong is an Assistant Professor and Director of Architectural Studies in the Department of History of Art and Architecture at the University of Pittsburgh.

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  • Sales Rank: #6318199 in Books
  • Published on: 2009-10-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.38" h x .77" w x 6.49" l, 1.08 pounds
  • Binding: Hardcover
  • 224 pages

Review
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About the Author
President, International Center for Alcohol Policies (ICAP), USA Director, Alcohol Policy and Industry Issues, Diageo, UK

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Senin, 13 April 2015

# Download Art and PhenomenologyFrom Brand: Routledge

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Philosophy of art is traditionally concerned with the definition, appreciation and value of art. Through a close examination of art from recent centuries, Art and Phenomenology is one of the first books to explore visual art as a mode of experiencing the world itself, showing how in the words of Merleau-Ponty ‘Painting does not imitate the world, but is a world of its own’.

An outstanding series of chapters by an international group of contributors examine the following questions:

  • Paul Klee and the body in art
  • colour and background in Merleau-Ponty’s phenomenology of art
  • self-consciousness and seventeenth-century painting
  • Vermeer and Heidegger
  • philosophy and the painting of Rothko
  • embodiment in Renaissance art
  • sculpture, dance and phenomenology.

Art and Phenomenology is essential reading for anyone interested in phenomenology, aesthetics, and visual culture.

  • Sales Rank: #1035990 in Books
  • Brand: Brand: Routledge
  • Published on: 2011-01-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .60" w x 6.10" l, .85 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Used Book in Good Condition

About the Author

Joseph D. Parry is Associate Professor in the Department of Humanities, Classics, and Comparative Literature, Brigham Young University, USA.

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8 of 8 people found the following review helpful.
Impressive collection of essays
By Glenn Russell
Back in college my exposure to phenomenology amounted to a professor's brief remarks and reading some Edmond Husserl as a prelude to studying existentialism. Although brief, I had a sense phenomenology offers much insight, especially when coupled with an investigation of art. So, forty years later, with a desire to expand my horizons via the study of both philosophy and art, I purchased a copy of Art and Phenomenology. I'm glad I did. I read each essay with great care.

Here are seven quotes from the introduction by Joseph D. Parry (the book's editor) and Mark Wrathall:

---"For Merleau-Ponty, our facticity cannot be understood apart from an understanding of our bodies. The body is the primordial situation of my being."

---"For phenomenology insists that my consciousness - my awareness of myself, others, objects, all of the things that make up my world - is rooted in my experience in the world, and this experience, in turn, is rooted in my body."

---" . . . phenomenology can explicitly reintroduce into aesthetics why art matters, something that often seems to be missing from aesthetic studies."

---" . . . what art does is philosophically significant. . . . Our approach to art is to treat it as a kind of phenomenology - which is not to say that art can be reduced to a discursive content, but rather that art can function as a way of directing us to important phenomena and helping us to understand them in their own terms."

---"Merleau-Ponty sits at the feet of Cezanne to learn from him concerning what it means, as an embodied being, to take up the world that opens itself to us in perception."

---". . . we expect our writers (of philosophy) to say something about the world, to say something that helps us know how to think about our experience, whereas a painting opens up the possibility of having an experience with the world."

---"This is a different kind of inquiry than that engaged in by traditional aesthetics or art-historical modes of studying artwork, because we take the work of art as performing an important role in teaching us to engage with the world."

For me, here are the two overarching themes of the introduction as represented by these quotes: 1) For phenomenology, experience is rooted in the body. 2) Art exposes us and opens us to our world and helps us understand the phenomenon of the world on their own terms.

Each of the 9 essays in the book explore and expand these themes in much depth. Many works of art are referred to throughout the book and 27 color plates are included. To provide a sampling and in the interest of space, I will focus on 2 of the 9 essays.

In "The Phenomenological Relevance of Art," Mark Wrathall notes how such philosophers as Heidegger, Merleau-Ponty, Sartre and Nietzsche believe "that works of art at their best are capable of showing us the phenomena under consideration more directly, powerfully, and perspicuously than any philosophical prose could." To my eye, this is a key insight as I read through Wrathall's essay since he goes on to write, ". . . the highest aspiration of phenomenology is to resolve philosophical questions in and through an apprehension of the phenomenon in question." With these two statements we can see why art is so important for phenomenology--art is a powerful tool to solve and answer philosophical questions relating to phenomenon.

To underscore the degree of power art contains, Wrathall continues, "The power of art in this regard, and its superiority over philosophy, is a product of the way it works on us affectively, thus not just altering our beliefs about the world, but more importantly, our dispositions through which we encounter and evaluate the world." Further on, the author highlights this idea more specifically when he cites, "Merleau-Ponty's central preoccupation is the lessons that art can teach us about the nature of our embodied perceptual engagement with the world. Art and only art is able to show us in full innocence the sensible and opened world such as it is in our life and for our body."

Wrathall gives a fascinating account of how and why Leonardo Da Vinci viewed painting as a superior science. He then uses Leonardo as a point of contrast to Merleau-Ponty's phenomenological position.

The author concludes his essay with a study of the artist Paul Klee's thinking about the artist's body as a medium. Klee's reflections crystalize a connecting between art and perception that can, in turn, be used as a powerful case study for phenomenology. Here are several excerpts:

--- Klee believed that artists are more keenly attuned to what we pick up in perception than most. If this is right, then we stand to learn something by studying artists and their work - not because seeing the world is like seeing a picture, but because creating a depiction demands that you be able to see the world."

--- ". . . creative fire has its source not in the spontaneous facility of the mind, but in a `receptive' organ - the eye. "

---"It is in holding himself ready for the fire `yet to come' that the artist is able to receive from the eye what is needed to awaken the fire."

---"Artistic creation as Klee experienced it is a temporal process of finding a bodily attitude that will let the situation draw out a motor response."

---"On Klee's account, then, to be an artist, one needs to become sensitized to one's own body in a special way."

In this case study we can see why philosophers serious about phenomenology stand to learn a great deal from artists like Klee.

Sean Dorrance Kelly writes on `Representing the Real - A Meleau-Pontyan account of art and experience from the Renaissance to New Media'. This is a fascinating essay where the author touches on a number of intriguing aspects of painting. We are told, "Realist painting on this view is not so much about how real the images are . . . but rather about how perceptually forceful they are." Here we have painting as the power of perception.

Further on Kelly observes, ". . . perhaps like the works of the analytical Cubists . . . is an attempt to present to the viewer what there is all at once, rather than to create in the viewer the everyday experience of the real." Kelly continues this line of thinking with a captivating discussion of how artists used mirrors in their work to capture their subject in 360 degree. In so doing, painters trumped sculptures as the viewer need not walk around the artwork to have a back view; rather, the viewer has the back view via the mirror within the painting!

Kelly contrasts the attitude of being absorbed vs. the attitude of being detached. We read: "One can try to paint not just the young man who is absorbed in blowing the soap bubble, as Chardin did, but the young man's experience of the soap bubble when he is absorbed in blowing it." This hits on a major theme of phenomenology: our experience of objects vs. the objects themselves.

Kelly picks up on other aspects of art to highlight the phenomenological approach, including how Impressionists focus on the lighting of objects, how Cezanne painted apples to be experienced as real things and how New Media artist Bill Viola plays with various speeds of film to " give us a whole new range of tools for exploring the nature of experience itself." All told, this essay is a true gem, providing a rich picture of what is involved in phenomenology and art.

Again, these comments are but a sampling. Anybody interested in philosophy or art, or more specifically, art within the world of phenomenology, would be well to pick up a copy of this book. One last observation: Although Merleau-Ponty figures prominently in the material cited, he is not mentioned in 5 of the 9 essays. Rather, the philosophers Fichte, Husserl and Heidegger are referenced, to name three.

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Covering everything from Edison to Avatar, Gomery and Pafort-Overduin have written the clearest, best organized, and most user-friendly film history textbook on the market. It masterfully distills the major trends and movements of film history, so that the subject can be taught in one semester. And each chapter includes a compelling case study that highlights an important moment in movie history and, at the same time, subtly introduces a methodological approach. This book is a pleasure to read and to teach. Peter Decherney, University of Pennsylvania, USA

In addition to providing a comprehensive overview of the development of film around the world, the book gives us examples of how to do film history, including organizing the details and discussing their implications.Hugh McCarney, Western Connecticut State University, USA

Douglas Gomery and Clara Pafort-Overduin have created an outstanding textbook with an impressive breadth of content, covering over 100 years in the evolution of cinema. Movie History: A Survey is an engaging book that will reward readers with a contemporary perspective of the history of motion pictures and provide a solid foundation for the study of film. Matthew Hanson, Eastern Michigan University, USA

How can we understand the history of film?

Historical facts don’t answer the basic questions of film history. History, as this fascinating book shows, is more than the simple accumulation of film titles, facts and figures. This is a survey of over 100 years of cinema history, from its beginnings in 1895, to its current state in the twenty-first century.

An accessible, introductory text, Movie History: A Survey looks at not only the major films, filmmakers, and cinema institutions throughout the years, but also extends to the production, distribution, exhibition, technology and reception of films. The textbook is divided chronologically into four sections, using the timeline of technological changes:

Section One looks at the era of silent movies from 1895 to 1927; Section Two starts with the coming of sound and covers 1928 until 1950; Section Three runs from 1951 to 1975 and deals with the coming and development of television; and Section Four focuses on the coming of home video and the transition to digital, from 1975 to 2010.

Key pedagogical features include:

  • timelines in each section help students to situate the films within a broader historical context
  • case study boxes with close-up analysis of specific film histories and a particular emphasis on film reception
  • lavishly illustrated with over 450 color images to put faces to names, and to connect pictures to film titles
  • margin notes add background information and clarity
  • glossary for clear understanding of the key terms described
  • references and further reading at the end of each chapter to enhance further study.

A supporting website is available at www.routledge.com/textbooks/moviehistory, with lots of extra materials, useful for the classroom or independent study, including:

  • additional case studies – new, in-depth  and unique to the website
  • international case studies –  for the Netherlands in Dutch and English
  • timeline - A movie history timeline charting key dates in the history of cinema from 1890 to the present day
  • revision flash cards – ideal for getting to grips with key terms in film studies
  • related resources – on the website you will find every link from the book for ease of use, plus access to additional online material
  • students are also invited to submit their own movie history case studies - see website for details

Written by two highly respected film scholars and experienced teachers, Movie History is the ideal textbook for students studying film history.

  • Sales Rank: #643374 in Books
  • Published on: 2011-03-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.80" h x .90" w x 7.50" l, 2.25 pounds
  • Binding: Paperback
  • 480 pages

Review

"Covering everything from Edison to Avatar, Gomery and Pafort-Overduin have written the clearest, best organized, and most user-friendly film history textbook on the market. It masterfully distills the major trends and movements of film history, so that the subject can be taught in one semester. And each chapter includes a compelling case study that highlights an important moment in movie history and, at the same time, subtly introduces a methodological approach. This book is a pleasure to read and to teach." Peter Decherney, University of Pennsylvania, USA

"In addition to providing a comprehensive overview of the development of film around the world, the book gives us examples of how to do film history, including organizing the details and discussing their implications." Hugh McCarney, Western Connecticut State University, USA

"Douglas Gomery and Clara Pafort-Overduin have created an outstanding textbook with an impressive breadth of content, covering over 100 years in the evolution of cinema. Movie History: A Survey is an engaging book that will reward readers with a contemporary perspective of the history of motion pictures and provide a solid foundation for the study of film." Matthew Hanson, Eastern Michigan University, USA

About the Author

Douglas Gomery is emeritus professor at the University of Maryland, USA. His publications include two prize winning books, Shared Pleasures: A History of Movie Presentation (1991) and Who Owns the Media (2000).

Clara Pafort-Overduin teaches at the Department of Theater, Film and Television Studies at Utrecht University, The Netherlands, and is a founding member of the International Cinema Attendances Research Group.

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0 of 0 people found the following review helpful.
Useful content.
By Rekha
Bought this for my Son's use in college and he is making good use of this book. He says it's an interesting book- finished reading it in a few hours.

2 of 11 people found the following review helpful.
used for class, cheaper than school bookstore
By MZimm413
cheaper than the school bookstore. used for class.. new and clean.... I really do not have anything else to say

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Movie History: A Survey: Second Edition, by Douglas Gomery, Clara Pafort-Overduin PDF
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Sabtu, 11 April 2015

~ Download The Theory and Practice of History: Edited with an introduction

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The Theory and Practice of History: Edited with an introduction

The Theory and Practice of History: Edited with an introduction



The Theory and Practice of History: Edited with an introduction

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The Theory and Practice of History: Edited with an introduction

Leopold von Ranke, who was born in 1795, is considered to be one of the founders of the modern practice of writing history. This collection of his writings, edited and introduced by Georg G. Iggers, was first published in 1973 and remains the leading collection of Ranke’s writings in the English language.

Now updated with the needs of current students in mind, this edition includes previously untranslated materials by the young Ranke, focusing particularly on the relationship between history and religion together with his inaugural lecture of 1836 ‘On the Relation and Difference between History and Politics’. Including pieces on historical science, and on the relationship between history and philosophy, as well as country specific histories, this book is essential reading for all students of historiography.

  • Sales Rank: #1043604 in Books
  • Published on: 2010-12-22
  • Released on: 2010-10-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .46" w x 6.14" l, .70 pounds
  • Binding: Paperback
  • 200 pages

About the Author

Georg G. Iggers is Distinguished Professor of History Emeritus at the State University of New York at Buffalo. He has published numerous influential works on historiography including his co-authored Global History of Historiography (2008) and Twentieth Century Historiography (2005). He has received many fellowships including the Guggenheim, the Rockefeller, the Newberry Library and the National Endowment for the Humanities. He was also formerly a Fulbright fellow and a Woodrow Wilson Center fellow.

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0 of 0 people found the following review helpful.
Just got it...
By Rev. Dr. J. Dirk Reek
this is a text for a joint course in the philosophy of history I'm teaching. I look forward to digging into it.

0 of 0 people found the following review helpful.
Five Stars
By Jeffrey Beach
Great book and it came looking brand new.

1 of 3 people found the following review helpful.
Great Primary Resource
By Nick
This book has lot's of primary source material. It is a good selection of some of Leopold Von Rankes works. Makes an excellent addition to your libarary!

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Kamis, 09 April 2015

? Ebook Organizational Transformation for Sustainability: An Integral Metatheory (Routledge Studies in Business Ethics), by Mark Edwards

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Organizational Transformation for Sustainability: An Integral Metatheory (Routledge Studies in Business Ethics), by Mark Edwards

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Organizational Transformation for Sustainability: An Integral Metatheory (Routledge Studies in Business Ethics), by Mark Edwards

During the 21st century organizations will undergo a level of radical and global change that has rarely been seen before. This transformation will come as a result of the environmental, social and economic challenges that now confront organisations in all their activities. But are our understandings and theories of change up to the task of meeting these challenges? Will we be able to develop sustaining visions of how organizations might contribute to the long-term viability of our interdependent global communities? Organizational Transformation for Sustainability: An Integral Metatheory offers some innovative answers to the big questions involved in organizational sustainability and the radical changes that organizations will need to undergo as we move into the third millennium. This new approach comes from the emerging field of integral metatheory.

Edwards shows how a "Big Picture" view of organisational transformation can contribute to our understanding of, and search for, organisational sustainability. There are four key themes to the book: i) the need for integrative metatheories for organisational change; ii) the development of a general research method for building metatheory; iii) the description of an integral metatheory for organisational sustainability; and iv) the discussion of the implications of this metatheory for organisational change and social policy regarding sustainability. This book brings a unique and important orienting perspective to these issues.

  • Sales Rank: #6837071 in Books
  • Published on: 2009-12-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .69" w x 5.98" l, 1.15 pounds
  • Binding: Hardcover
  • 290 pages

Review

Winner of the Integral Leadership Review "Book of the Year" Award

"Once every generation or so, a field-defining scholarly statement appears. Mark Edwards's metatheory for organizational transformation is such a book for the field of organizational change and transformation." - From the Foreword by William R. Torbert, Boston College

"Not only is this an excellent example of scholarship, but a clearly written, well presented treatment of a very complex topic." - Russ Volckman, Integral Leadership Review

"If you are interested in metatheory, organizational transformation, sustainability, great examples of clear and thorough writing, or just like to gain a view from a profound set of perspectives, then get and read Mark Edwards’ Organizational Transformation for Sustainability. An Integral Metatheory." - Jonathan Reams, Integral Review

About the Author

Mark Edwards is a registered psychologist with a Masters degree in developmental psychology and a PhD (awarded distinction) in organisation theory from the University of Western Australia. He has worked with people with disabilities for more than 20 years. He currently teaches business ethics at the Business School, University of Western Australia and metatheoretical studies at the John F. Kennedy University in California. His academic publications have been in the areas of futures studies, leadership, management and organisation theory and integral metatheory.

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