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This book explores the relationship between wage policy, distribution of income, and ultimately how that distribution impacts on democratic theory. In doing so, it examines the types of policies that are critical to the maintenance of a sustainable democracy. Wage policy, long the domain of economists (particularly neoclassical economists whose focus has been their impact on labour markets and income distribution), has largely been ignored by democratic theorists. Levin-Waldman argues that because wage policy can shape overall income distribution, it has a significant effect on equality levels and is therefore core to democratic theory. Its potential to enhance individual autonomy, which is a necessary condition for democratic participation, is another reason why wage policy should be at the centre of democratic theory.

This book argues that the evolution in wage policy has paralleled economic transformations, which democratic theory has evolved to accommodate. Through a careful analysis of democratic theory and empirical analysis of the impact of wage policy on income distribution, this book concludes that wage policy is an important component in the maintenance of democratic society. A wage policy that raises the wages of those at the bottom can give workers more independence and power as they are placed on more equal footing with managers. This, in and of itself, can be a source of empowerment, effectively enhancing their autonomy. By doing so, workers feel less exploited and income inequality is reduced.

This significant contribution explores the meaning of democratic theory and how it has evolved along with the meaning and specific forms of wage policy, providing invaluable new insights into their connections. This book will be of interest to postgraduates and researchers in economics and political science, as well as policy practitioners interested in issues of income inequality or democratic theory.

• Sales Rank: #6381990 in Books
• Published on: 2010-12-01
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .70" w x 6.10" l, 1.05 pounds
• Binding: Hardcover
• 240 pages

Review

‘For more than twenty years, Oren Levin-Waldman has conducted pioneering work, not only on minimum wages and wage contours, the earned income tax credit, and democratic theory, but also on the living-wage movement in the context of struggles over economic development and conceptions of citizenship. Wage Policy, Income Distribution, and Democratic Theory is the culmination of that work. Looking beyond the Great Recession, Levin-Waldman draws our attention to the equally serious Great Stagnation, a silent depression in wages that has gripped working families in the United States for decades. And he persuasively argues for a pragmatic solution: a combination of institutions and legislation—a wage policy—that can accelerate aggregate demand, boost employment, and spur economic development. But such a policy also has another, equally vital consequence: it can reduce income inequality in a way that enhances personal autonomy, gives meaning to the notion of personal responsibility, and fortifies democracy by strengthening opportunities for political and civic participation. In short, Levin-Waldman has put his finger on what may be the central domestic political issue of our time and the book deserves the widest possible audience in academic, practitioner, and policy circles’. - Charles Whalen, Visiting Fellow, School of Industrial & Labor Relations, Cornell University, USA

"This books makes a useful contribution to the normative and empirical literature on labor policy in the United States. Those interested in the history of wage policy, the political hurdles that tand in the way of its adoption, and the key arguments in favor of a more active wage policy should find it quite interesting." - Nathan J. Kelly, University of Tennessee

About the Author

Oren M. Levin-Waldman is Professor of Public Policy and Public Administration in the School of Management at Metropolitan College of New York, USA.

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By the 1970s the global hegemony established by an American Empire in the post-World War II period faced increasing resistance abroad and contradictions at home. Contextualizing that hegemony, resistance and contradictions is the focus of Dying Empire.

Presenting a wide-ranging synthesis of approaches, the book attempts to shed light on the construction of and challenges to the military, economic, and cultural imperial projects of the United States in the late 20th and early 21st centuries. Opposing US imperialism and global domination, Francis Shor combines academic and activist perspectives to analyze the crises endemic to empire and to propose a vision for the realization of another more socially just world. The text incorporates the most recent critical discussions of US imperialism and globalization from above and below to illuminate the practices and possibilities for global resistance.

Offering insights into the political and cultural convulsions of recent decades whilst raising profound and compelling questions, this book will be of interest to activists, students, and scholars of American political culture, US foreign policy, globalization, imperialism, international relations, and social movements.

• Sales Rank: #3637725 in Books
• Published on: 2010-01-22
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .60" w x 6.10" l, .70 pounds
• Binding: Paperback
• 208 pages

Review

'A timely and highly engaging book. Shor draws from a wealth of cultural konwledge and political experience. He offers an extensive consideration of a variety of cultural material ranging from works by Marge Piercy, James Baldwin, Bob Marley, among others. It is this feature of the book that many readers will find most appealing, and that makes this text one that will be highly effective in undergraduate and graduate courses on contemporary world politics and global social change.' - Jackie Smith, Journal of World-Systems Research, Vol. 17, 2, 2011

'As Americans try to make sense of today's pressing global economic and environmental crises, Dying Empire provides an engaging and accessible framework through which readers can understand the United States role in the world. Drawing from a refreshing range of social science and cultural materials (including Marge Piercy and Bob Marley, among others), Shor articulates a convincing and passionate call for Americans to embrace global citizenship.' - Jackie Smith, Professor of Sociology, University of Pittsburgh, USA.

'Clearly written, and indicting both the domestic and global predations of American imperialism, Dying Empire is critical, provocative and decisively to the point. Focusing too on the multifold forms and instances of resistance to empire, this cautiously optimistic book is extensive in its theoretical and political coverage. One doesn’t have to agree with all of its positions to learn from Dying Empire, or to be inspired by its trenchant statement of possible alternatives to capitalism.' - Professor Neil Smith, CUNY Graduate Center, New York author, Endgame of Globalization

About the Author

Francis Shor is a Professor of History at Wayne State University, USA.

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8 of 8 people found the following review helpful.
The Empire.
By Michael Howey
Dying Empire is a well written and well organized book that challenges the belief that the U.S. watches out for the best interests of all other countries-"that the U.S. empire is naturally a force for good." By combining personal experiences, such as helping to rebuild houses in New Orleans after Hurricane Katrina struck, with historical evidence Shor has written a highly engrossing and informative book. He details the consequences of U.S. imperialism, globalization, and the U.S. military-industrial on other countries, peoples, and cultures. The effects of transnational corporations and their attempts at spreading U.S. type of consumer capitalism, Coca Cola and Union Carbide opening facilities in rural India for example, on other countries, peoples, and cultures is also examined. Shor also examines the different types of resistance that have emerged to U.S. imperialism, globalization, the military-industrial complex, and consumer capitalism and how the U.S. needs to embrace a world community instead of trying to direct it. Dying Empire is an excellent read that provides insights into the place that the United States finds itself in relations to other countries and of resistance that has arose due to the countries policies, practices, and capitalism.

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The Routledge Handbook of Constitutional Law is an advanced level reference work which surveys the current state of constitutional law. Featuring new, specially commissioned papers by a range of leading scholars from around the world, it offers a comprehensive overview of the field as well as identifying promising avenues for future research. The book presents the key issues in constitutional law thematically allowing for a truly comparative approach to the subject. It also pays particular attention to constitutional design, identifying and evaluating various solutions to the challenges involved in constitutional architecture.

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Providing up-to-date and authoritative articles covering all the key aspects of constitutional law, this reference work is essential reading for advanced students, scholars and practitioners in the field.

• Sales Rank: #2492862 in Books
• Published on: 2012-12-17
• Original language: English
• Number of items: 1
• Dimensions: 9.70" h x 1.60" w x 6.90" l, 2.75 pounds
• Binding: Hardcover
• 528 pages

Review

'This volume enables readers to glimpse constitutional theory and practice around the globe. In brief essays (organized around the themes of constitutionalism, government structures, and various forms of rights), the authors address both longstanding and new problems addressed by constitutional orders. Moreover, rather than country-by-country comparisons, this Handbook focuses on the ideas and values that animate constitutional design; examples work in service of a subject matter, rather than as end unto themselves. As a consequence, this Handbook invites readers to reflect on the aspirations that constitutions embody and the challenges that they face.' Judith Resnik, Arthur Liman Professor of Law, Yale Law School, USA 

About the Author

Mark Tushnet is William Nelson Cromwell Professor of Law, Harvard Law School  author of "Why the Constitution Matters," "The Constitution of the United States: A Contextual Analysis," and numerous other books on constitutional law and US legal history

Thomas Fleiner is Professor Emeritus. University of Fribourg, Switzerland and was former director of the Institute of Federalism. Professor Fleiner has served as a legal expert for Swiss and foreign governments and has been a guest professor in eight countries.

Cheryl Saunders is Laureate Professor, Melbourne Law School. President Emeritus, International Association of Constitutional Law. Professor Saunders also served as former president of the International Association of Centers for Federal Studies. She is also the author of The Constitution of Australia: A Contextual Analysis (Hart Publishing Ltd, 2011) and various books, chapters and articles on comparative constitutional law and method.

 

 

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New Directions in US Foreign Policy is a state of the art overview of US foreign policy, providing a comprehensive account of the latest theoretical perspectives, the key actors and issues, and new policy directions. Offering a detailed and systematic outline of the field, this text:

• Explains how international relations theories such as realism, liberalism and constructivism can help us to interpret US foreign policy
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• Explores the most important new policy directions from the 'war on terror' and relations with the UN to democracy promotion and 'imperialism'
• Supplies succinct presentation of relevant case material, and provides recommendations for further reading and web sources for pursuing future research.

Written by a distinguished line-up of contributors actively engaged in original research on the topics covered, this text provides a unique platform for rigorous debate over the contentious issues that surround US foreign policy. This wide-ranging text is essential reading for all students and scholars of US foreign policy.

• Sales Rank: #3193272 in Books
• Published on: 2009-08-12
• Original language: English
• Number of items: 1
• Dimensions: 9.61" h x .61" w x 6.69" l, 1.25 pounds
• Binding: Paperback
• 304 pages

Review

"This book provides a clear, well-written and stimulating guide to key debates and issues in contemporary US foreign policy. It will both inform and provoke debate about this hugely important, and equally controversial, subject." - Professor Mark Phythian, University of Leicester, UK

"This book delivers on its promise of being lively and opinionated. In addition it is thoughtful and well-informed. These esteemed academics tackle the key issues of the day with aplomb." - Brendon O’Connor, Associate Professor in American Politics, United States Studies Centre, University of Sydney

'Although the analytical depth of the texts and the construction of a useful conceptualisation are directed towards an academic readership, by exploring various facets of and influences on US international affairs often neglected by US foreign policy studies, sections of the book offer interesting reading for anyone keen on understanding contemporary international events.' - The International Spectator, Vol. 46, No. 1 (March 2011) 162

 

About the Author

Inderjeet Parmar is Professor of Government and Head of the Department of Politics, University of Manchester, UK. He has published several monographs and is the co-editor of the Routledge Studies in US Foreign Policy series.

Linda B. Miller is Professor of Political Science, Emerita, at Wellesley College, USA. An international relations specialist, she also taught at Barnard, Harvard, and Brown and held research appointments at Princeton, Harvard, Columbia, and Brown, where she is currently Adjunct Professor (Research) at the Watson Institute. From 1999–2002, she was also Editor of the International Studies Review.

Mark Ledwidge is a lecturer in the Department of Politics, University of Manchester, UK.

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Civilization from its origins has depended on the food, fibre, and other commodities produced by farmers. In this unique exploration of the world history of agriculture, Mark B. Tauger looks at farmers, farming, and their relationships to non-farmers from the classical societies of the Mediterranean and China through to the twenty-first century.

Viewing farmers as the most important human interface between civilization and the natural world, Agriculture in World History examines the ways that urban societies have both exploited and supported farmers, and together have endured the environmental changes and crises that threatened food production.

Accessibly written and following a chronological structure, Agriculture in World History illuminates these topics through studies of farmers in numerous countries all over the world from Antiquity to the contemporary period. Key themes addressed include the impact of global warming, the role of political and social transformations, and the development of agricultural technology. In particular, the book highlights the complexities of recent decades: increased food production, declining numbers of farmers, and environmental, economic, and political challenges to increasing food production against the demands of a growing population. This wide-ranging survey will be an indispensable text for students of world history, and for anyone interested in the historical development of the present agricultural and food crises.

• Sales Rank: #1044830 in Books
• Published on: 2010-12-22
• Released on: 2010-11-04
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .47" w x 6.14" l, .65 pounds
• Binding: Paperback
• 208 pages

Review

'This is a valuable and accessible study that teachers and students will find useful.' – Richard Brown, Historical Association

'Recommended. All undergraduate students and general readers.' L. S. Cline, Missouri State University. Reviewed in 2011aug CHOICE

About the Author

Mark B. Tauger is an associate professor of history at West Virginia University, USA. He has published extensively on famines and agriculture in the USSR and India. His work has won the Eric Wolf Prize of the Journal of Peasant Studies and the Wayne D. Rasmussen Award of the Agricultural History Society.

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0 of 15 people found the following review helpful.
Four Stars
By kelsey smith
liked it.

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Photography: History and Theory introduces students to both the history of photography and critical theory.

From its inception in the nineteenth century, photography has instigated a series of theoretical debates. In this new text, Jae Emerling therefore argues that the most insightful way to approach the histories of photography is to address simultaneously the key events of photographic history alongside the theoretical discourse that accompanied them.

While the nineteenth century is discussed, the central focus of the text is on modern and contemporary photographic theory. Particular attention is paid to key thinkers, such as Baudelaire, Barthes and Sontag. In addition, the centrality of photography to contemporary art practice is addressed through the theoretical work of Allan Sekula, John Tagg, Rosalind Krauss, and Vilém Flusser. The text also includes readings of many canonical photographers and exhibitions including: Atget, Brassai, August Sander, Walker Evans, The Family of Man, Diane Arbus, Lee Friedlander, Cindy Sherman, Bernd and Hilla Becher, Sebastaio Salgado, Jeff Wall, and others.

In addition, Emerling provides close readings of key passages from some major theoretical texts. These glosses come between the chapters and serve as a conceptual line that connects them. Glosses include:

• Roland Barthes, "The Rhetoric of the Image" (1964)
• Susan Sontag, Regarding the Pain of Others (2002)
• Michel Foucault on the archive (1969)
• Walter Benjamin, "Little History of Photography" (1931)
• Vilém Flusser, Towards a Philosophy of Photography (1983)

A substantial glossary of critical terms and names, as well as an extensive bibliography, make this the ideal book for courses on the history and theory of photography.

• Sales Rank: #5233484 in Books
• Published on: 2012-01-27
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.25" w x .50" l, 1.32 pounds
• Binding: Hardcover
• 288 pages

Review

'Jae Emerling has done the near impossible: he has written an introduction to the history and theory of photography that also adds significantly to the ways in which we come to see, know, and understand the world. Here, by focusing on the 'and' between history and theory, photography itself becomes ingeniously a form of thinking. Photography is history, is theory, is technology, is archive, is document, is truth, is time, is knowledge, is a way to generate new worlds politically and aesthetically. Emerling writes that 'to study the history and theory of photography is to write and create alongside―and in the middle of―images.' He couldn't be more right.' – Marquard Smith, Director, Institute for Modern and Contemporary Culture, University of Westminster, UK

'Jae Emerling has produced a timely and thoroughly useful book that shows how the history of photography and the theories encouraged by that history have shaped our experience of the photographic work of art. His writing eloquently and accessibly considers those debates that have lead to the concepts through which contemporary practitioners and viewers alike now confront the ‘impossible object’ of an art photograph. This book is a must for anyone serious about the production, appreciation, or use of photographic images in the 21st century. Emerling’s work beautifully defines artistic practice and theory as complementary but not identical, and points out that images are always already ensembles of history and ideas. For as he so succinctly states in his introduction, ‘The footprint of a bird is not a bird’.' – William Wylie, Professor of Art, University of Virginia, USA

'Photography offers the most complex limit case for understanding representation in our time. What Emerling has done in situating the discourse of art photography on the dual thresholds of aesthetics/ethics and theory/history, is to open up the field to the ontological complexity of its subject domain. This book is an astonishing performance, a nuanced and lucid argument addressed to all those interested in why photography matters today.' – Claire Farago, Professor of Art History, University of Colorado at Boulder, USA

'In exploring photography's inexorable relationship to theory Emerling has produced an elegant and rigorous analysis of key theoretical junctures within the history of this crucial medium of visual culture... [T]his excellent study is likely to become an indispensible volume for graduate students and scholars of photography and those interested in theories of visual culture. Highly recommended.' – M.R. Freeman, CHOICE magazine

‘…we are now witnessing the publication of more single-voiced books [that] succeed in adding new perspectives and insights on photography, as Photography: History and Theory convincingly does’ – Helen Westgeest, CAA reviews

About the Author

Jae Emerling is assistant professor of modern and contemporary art at the University of North Carolina, Charlotte. He is the author of Theory for Art History (Routledge).

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0 of 1 people found the following review helpful.
Five Stars
By Glen Watson
Hands down the most encompassing assessment of theory and art that I have ever read!

0 of 1 people found the following review helpful.
Four Stars
By Darren Bilodeau
good info but a little boring at times.

0 of 2 people found the following review helpful.
A must have if you are a student of photography
By Filmmaster 6
A really interesting book about the old days of film photography.

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Museums may not seem at first glance to be engaged in social work. Yet, Lois H. Silverman brings together here relevant visitor studies, trends in international practice, and compelling examples that demonstrate how museums everywhere are using their unique resources to benefit human relationships and, ultimately, to repair the world. In this groundbreaking book, Silverman forges a framework of key social work perspectives to show how museums are evolving a needs-based approach to provide what promises to be universal social service. In partnership with social workers, social agencies, and clients, museums are helping people cope and even thrive in circumstances ranging from personal challenges to social injustices. The Social Work of Museums provides the first integrative survey of this emerging interdisciplinary practice and an essential foundation on which to build for the future.

The Social Work of Museums is not only a vital and visionary resource for museum training and practice in the 21st century, but also an invaluable tool for social workers, creative arts therapists, and students seeking to broaden their horizons. It will inspire and empower policymakers, directors, clinicians, and evaluators alike to work together toward museums for the next age.

• Sales Rank: #584023 in Books
• Published on: 2010-01-23
• Released on: 2009-11-25
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .48" w x 6.14" l, .80 pounds
• Binding: Paperback
• 212 pages

Review

'Silverman provides an informative, readable, and entertaining addition to any museum studies library.' – Visitor Studies

'[T]imely and important ... so well researched and carefully argued that it is bound to become a classic reference for those who wish to maximize the public value of museums ... The Social Work of Museums is an invaluable resource – one that is well worth owning and returning to again and again ... Lois Silverman has written a brilliant book.' – Mary Ellen Munley, MEM & Associates, Museum Management and Curatorship

'[A] sympathetic call to action. Silverman artfully weaves together a number of seemingly disparate threads ... The resulting tapestry is a reader-friendly introduction to social work principles for museum professionals … which is simultaneously an introduction to museum studies for social workers. … This is a thought-provoking, inspiring book that many are sure to find is a useful tool for professional development, organizational change, teaching, research, and planning.' – Phaedra Livingstone, University of Oregon, USA, caa.reviews

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By Isiaka Almaroof
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