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New Directions in US Foreign Policy is a state of the art overview of US foreign policy, providing a comprehensive account of the latest theoretical perspectives, the key actors and issues, and new policy directions. Offering a detailed and systematic outline of the field, this text:

• Explains how international relations theories such as realism, liberalism and constructivism can help us to interpret US foreign policy
• Examines the key influential actors shaping foreign policy, from political parties and think tanks to religious groups and public opinion
• Explores the most important new policy directions from the 'war on terror' and relations with the UN to democracy promotion and 'imperialism'
• Supplies succinct presentation of relevant case material, and provides recommendations for further reading and web sources for pursuing future research.

Written by a distinguished line-up of contributors actively engaged in original research on the topics covered, this text provides a unique platform for rigorous debate over the contentious issues that surround US foreign policy. This wide-ranging text is essential reading for all students and scholars of US foreign policy.

• Sales Rank: #3193272 in Books
• Published on: 2009-08-12
• Original language: English
• Number of items: 1
• Dimensions: 9.61" h x .61" w x 6.69" l, 1.25 pounds
• Binding: Paperback
• 304 pages

Review

"This book provides a clear, well-written and stimulating guide to key debates and issues in contemporary US foreign policy. It will both inform and provoke debate about this hugely important, and equally controversial, subject." - Professor Mark Phythian, University of Leicester, UK

"This book delivers on its promise of being lively and opinionated. In addition it is thoughtful and well-informed. These esteemed academics tackle the key issues of the day with aplomb." - Brendon O’Connor, Associate Professor in American Politics, United States Studies Centre, University of Sydney

'Although the analytical depth of the texts and the construction of a useful conceptualisation are directed towards an academic readership, by exploring various facets of and influences on US international affairs often neglected by US foreign policy studies, sections of the book offer interesting reading for anyone keen on understanding contemporary international events.' - The International Spectator, Vol. 46, No. 1 (March 2011) 162

 

About the Author

Inderjeet Parmar is Professor of Government and Head of the Department of Politics, University of Manchester, UK. He has published several monographs and is the co-editor of the Routledge Studies in US Foreign Policy series.

Linda B. Miller is Professor of Political Science, Emerita, at Wellesley College, USA. An international relations specialist, she also taught at Barnard, Harvard, and Brown and held research appointments at Princeton, Harvard, Columbia, and Brown, where she is currently Adjunct Professor (Research) at the Watson Institute. From 1999–2002, she was also Editor of the International Studies Review.

Mark Ledwidge is a lecturer in the Department of Politics, University of Manchester, UK.

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Civilization from its origins has depended on the food, fibre, and other commodities produced by farmers. In this unique exploration of the world history of agriculture, Mark B. Tauger looks at farmers, farming, and their relationships to non-farmers from the classical societies of the Mediterranean and China through to the twenty-first century.

Viewing farmers as the most important human interface between civilization and the natural world, Agriculture in World History examines the ways that urban societies have both exploited and supported farmers, and together have endured the environmental changes and crises that threatened food production.

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• Sales Rank: #1044830 in Books
• Published on: 2010-12-22
• Released on: 2010-11-04
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .47" w x 6.14" l, .65 pounds
• Binding: Paperback
• 208 pages

Review

'This is a valuable and accessible study that teachers and students will find useful.' – Richard Brown, Historical Association

'Recommended. All undergraduate students and general readers.' L. S. Cline, Missouri State University. Reviewed in 2011aug CHOICE

About the Author

Mark B. Tauger is an associate professor of history at West Virginia University, USA. He has published extensively on famines and agriculture in the USSR and India. His work has won the Eric Wolf Prize of the Journal of Peasant Studies and the Wayne D. Rasmussen Award of the Agricultural History Society.

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Photography: History and Theory introduces students to both the history of photography and critical theory.

From its inception in the nineteenth century, photography has instigated a series of theoretical debates. In this new text, Jae Emerling therefore argues that the most insightful way to approach the histories of photography is to address simultaneously the key events of photographic history alongside the theoretical discourse that accompanied them.

While the nineteenth century is discussed, the central focus of the text is on modern and contemporary photographic theory. Particular attention is paid to key thinkers, such as Baudelaire, Barthes and Sontag. In addition, the centrality of photography to contemporary art practice is addressed through the theoretical work of Allan Sekula, John Tagg, Rosalind Krauss, and Vilém Flusser. The text also includes readings of many canonical photographers and exhibitions including: Atget, Brassai, August Sander, Walker Evans, The Family of Man, Diane Arbus, Lee Friedlander, Cindy Sherman, Bernd and Hilla Becher, Sebastaio Salgado, Jeff Wall, and others.

In addition, Emerling provides close readings of key passages from some major theoretical texts. These glosses come between the chapters and serve as a conceptual line that connects them. Glosses include:

• Roland Barthes, "The Rhetoric of the Image" (1964)
• Susan Sontag, Regarding the Pain of Others (2002)
• Michel Foucault on the archive (1969)
• Walter Benjamin, "Little History of Photography" (1931)
• Vilém Flusser, Towards a Philosophy of Photography (1983)

A substantial glossary of critical terms and names, as well as an extensive bibliography, make this the ideal book for courses on the history and theory of photography.

• Sales Rank: #5233484 in Books
• Published on: 2012-01-27
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.25" w x .50" l, 1.32 pounds
• Binding: Hardcover
• 288 pages

Review

'Jae Emerling has done the near impossible: he has written an introduction to the history and theory of photography that also adds significantly to the ways in which we come to see, know, and understand the world. Here, by focusing on the 'and' between history and theory, photography itself becomes ingeniously a form of thinking. Photography is history, is theory, is technology, is archive, is document, is truth, is time, is knowledge, is a way to generate new worlds politically and aesthetically. Emerling writes that 'to study the history and theory of photography is to write and create alongside―and in the middle of―images.' He couldn't be more right.' – Marquard Smith, Director, Institute for Modern and Contemporary Culture, University of Westminster, UK

'Jae Emerling has produced a timely and thoroughly useful book that shows how the history of photography and the theories encouraged by that history have shaped our experience of the photographic work of art. His writing eloquently and accessibly considers those debates that have lead to the concepts through which contemporary practitioners and viewers alike now confront the ‘impossible object’ of an art photograph. This book is a must for anyone serious about the production, appreciation, or use of photographic images in the 21st century. Emerling’s work beautifully defines artistic practice and theory as complementary but not identical, and points out that images are always already ensembles of history and ideas. For as he so succinctly states in his introduction, ‘The footprint of a bird is not a bird’.' – William Wylie, Professor of Art, University of Virginia, USA

'Photography offers the most complex limit case for understanding representation in our time. What Emerling has done in situating the discourse of art photography on the dual thresholds of aesthetics/ethics and theory/history, is to open up the field to the ontological complexity of its subject domain. This book is an astonishing performance, a nuanced and lucid argument addressed to all those interested in why photography matters today.' – Claire Farago, Professor of Art History, University of Colorado at Boulder, USA

'In exploring photography's inexorable relationship to theory Emerling has produced an elegant and rigorous analysis of key theoretical junctures within the history of this crucial medium of visual culture... [T]his excellent study is likely to become an indispensible volume for graduate students and scholars of photography and those interested in theories of visual culture. Highly recommended.' – M.R. Freeman, CHOICE magazine

‘…we are now witnessing the publication of more single-voiced books [that] succeed in adding new perspectives and insights on photography, as Photography: History and Theory convincingly does’ – Helen Westgeest, CAA reviews

About the Author

Jae Emerling is assistant professor of modern and contemporary art at the University of North Carolina, Charlotte. He is the author of Theory for Art History (Routledge).

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0 of 1 people found the following review helpful.
Five Stars
By Glen Watson
Hands down the most encompassing assessment of theory and art that I have ever read!

0 of 1 people found the following review helpful.
Four Stars
By Darren Bilodeau
good info but a little boring at times.

0 of 2 people found the following review helpful.
A must have if you are a student of photography
By Filmmaster 6
A really interesting book about the old days of film photography.

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Museums may not seem at first glance to be engaged in social work. Yet, Lois H. Silverman brings together here relevant visitor studies, trends in international practice, and compelling examples that demonstrate how museums everywhere are using their unique resources to benefit human relationships and, ultimately, to repair the world. In this groundbreaking book, Silverman forges a framework of key social work perspectives to show how museums are evolving a needs-based approach to provide what promises to be universal social service. In partnership with social workers, social agencies, and clients, museums are helping people cope and even thrive in circumstances ranging from personal challenges to social injustices. The Social Work of Museums provides the first integrative survey of this emerging interdisciplinary practice and an essential foundation on which to build for the future.

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• Sales Rank: #584023 in Books
• Published on: 2010-01-23
• Released on: 2009-11-25
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .48" w x 6.14" l, .80 pounds
• Binding: Paperback
• 212 pages

Review

'Silverman provides an informative, readable, and entertaining addition to any museum studies library.' – Visitor Studies

'[T]imely and important ... so well researched and carefully argued that it is bound to become a classic reference for those who wish to maximize the public value of museums ... The Social Work of Museums is an invaluable resource – one that is well worth owning and returning to again and again ... Lois Silverman has written a brilliant book.' – Mary Ellen Munley, MEM & Associates, Museum Management and Curatorship

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Recently there has been a plethora of work published on the topic of sustainability, much of which is purely theoretical or technical in its approach. More often than not these books fail to introduce readers to the larger challenge of what thinking sustainably might entail.

Combining a series of well know authors in contemporary philosophy with established practitioners of sustainable design, this book develops a coherent theoretical framework for how theories of sustainability might engage with the growing practice of design. This book:

• brings together new and emerging perspectives on sustainability
• provides cohesive and jargon-free reading
• articulates the specificity of both theory and practice, to develop a symbiotic relationship which allows the reader to understand what thinking sustainably entails

This volume describes a variety of new ways to approach sustainable design and it equips the next generation of designers with necessary conceptual tools for thinking sustainably.

• Sales Rank: #7274092 in Books
• Brand: Brand: Routledge
• Published on: 2010-08-23
• Original language: English
• Dimensions: 10.00" h x 7.50" w x .75" l, 1.98 pounds
• Binding: Hardcover
• 280 pages

Features

• Used Book in Good Condition

About the Author

Adrian Parr is an Associate Professor in the Department of Women’s, Gender and Sexuality Studies and the School of Architecture and Interior Design at the University of Cincinnati, and a Distinguished Fellow of iCinema at the University of New South Wales. She is the author of Hijacking Sustainability (MIT Press, 2009), Deleuze and Memorial Culture (Edinburgh University Press, 2008), and editor of The Deleuze Dictionary (Columbia University Press, 2005) and the co-editor with Ian Buchanan of Deleuze and the Contemporary World (Edinburgh University Press, 2006).

Michael Zaretsky is an Architect, LEED AP and Assistant Professor at the University of Cincinnati School of Architecture and Interior Design. His practice, research, and teaching engage with issues of public-interest design, humanitarian design, and a holistic approach to sustainable design. He is the author of Precedents in Zero-Energy Design: Architecture and Passive Design in the 2007 Solar Decathlon (Routledge, 2009). He is Chair of the Roche Health Center Design Committee and is presently leading the design of a zero-energy health center for Roche Village in rural Tanzania.

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* Download Ebook Decoding Theoryspeak: An Illustrated Guide to Architectural Theory, by Enn Ots

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Existentialism; Urbanism; Aporia; Deontic; Tabula Rasa; Hyperspace; Heterotopia; Metareality; Structuralism…

What does it all mean?

The unique language used in architectural theory – both in speech and writing – can appear daunting and confusing, particularly to new architectural students.

Decoding Theoryspeak provides an accessible guide to the specialized language of contemporary design for the next generation of thinkers, architects and design leaders. It includes:

• definitions of over 200 terms
• clear cross-references
• illustrations throughout.

It is an essential pocket-sized resource for students and practitioners alike.

• Sales Rank: #1228763 in Books
• Published on: 2010-10-22
• Original language: English
• Number of items: 1
• Dimensions: 8.30" h x .60" w x 5.40" l, .75 pounds
• Binding: Paperback
• 240 pages

About the Author

Enn Ots is a practicing architect and teacher with 40 years of theoryspeak experience. Since 1979 he has been an associate professor at the Florida A&M University School of Architecture while maintaining an architectural practice. He conducts design/build workshops, as well as teaching theory and undergraduate design studio. Prior to 1979, he was an architectural researcher and designer in Winnipeg and Toronto, Canada.

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To fully understand photography, it is essential to study both the theoretical and the technical.

In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history and technique to bring photographic education up-to-date with contemporary photographic practice. Reframing Photography is a broad and inclusive rethinking of photography that will inspire students to think about the medium across time periods, across traditional themes, and through varied materials. Intended for both beginners and advanced students, and for art and non-art majors, and practicing artists, Reframing Photography compellingly represents four concerns common to all photographic practice:

• vision
• light/shadow
• reproductive processes
• editing/ presentation/ evaluation.

Each part includes an extensive and thoughtful essay, providing a broad cultural context for each topic, alongside discussion of photographic examples. Essays introduce the work of artists who use a diverse range of subject matter and a variety of processes (straight photography, social documentary, digital, mixed media, conceptual work, etc.), examine artists' conceptual and technical choices, describe cultural implications and artistic influences, and analyze how these concerns interrelate. Following each essay, each part continues with a "how-to" section that describes a fascinating range of related photographic equipment, materials and methods through concise explanations and clear diagrams.

Key Features:

• case studies featuring profiles of contemporary and historical artists
• glossary definitions of critical and technical vocabulary to aid learning
• ‘how to’ sections provide students with illustrated, step by step guides to different photographic methods, alongside related theory
• fully up-to-date, with both high and low tech suggestions for activities
• online resources at: www.routledge.com/textbooks/reframingphotography will update information on equipment and provide further activities, information and links to related sites
• lavishly illustrated, with over 750 images, including artists’ work and examples of photographic processes.

 

• Sales Rank: #356537 in Books
• Published on: 2010-12-23
• Original language: English
• Number of items: 1
• Dimensions: 9.60" h x 1.00" w x 7.40" l, 2.55 pounds
• Binding: Paperback
• 560 pages

Review

'Reframing Photography is excellent – very well-written, beautifully designed, clear and innovative in its structure – an ideal introduction to the current debates about theory and practice in photography.' – Louise Milne, Edinburgh Napier University, UK

'Reframing Photography is a wonderful accomplishment with its seamless treatments of theory and a liberated sense of photographs, how they can be made, and how they can look. It will end the senseless separation of photography and art, and technique from idea, right from the beginning. It reframes photography education.' – Terry Barrett, University of North Texas, USA

'The essays effortlessly link photography to a history of ideas, not simply a history of cameras and chemical processes. The book does not separate historical work from contemporary work, nor does it separate technique from theory. Past and present are in constant communication with the reader who becomes aware of inter-generational, historical, technological, cultural and transdisciplinary influences in photographic practice. This is how the best teachers understand the world and relate information to their students. A contemporary education in photographic practice has come of age with this book.' – Barbara DeGenevieve, School of the Art Institute of Chicago, USA

'This is a timely book which will be of enormous help to photography and arts students. It combines photography history, useful descriptions of artist’s practices and ideas, and technical information and tips, and encourages experimentation. The volume and website demystify a lot of aspects of practice that are not covered in more conventional books, and make it clear how enjoyable fine art photography can be.' – Michelle Henning, University of the West of England, UK

'Modrak and Anthes' handbook has all the qualities to become a pioneer in the effors to bridge the gap between the technical and the theoretical. Their work strikes a perfect balance between what one can find in technical handbooks on photography and what one should expect from a theoretically well-inspired study of the medium.' – Leonardo On-line

'Reframing Photography, the 560-page encyclopedic book on the subject includes everything about photography and then some. The book is for students, teachers and those in the self-taught orbit who want to do it themselves with a little help... There are fabulous essays written by the two authors, Rebekah Modrak and Bill Anthes, in each of the four subject parts, and they live up to the encyclopedia: dense, with history, science, and an interweaving of anecdotes of present day usage that reverberate with photography’s past.' – the art blog

‘...the content [of Reframing Photography] is literally mind-blowing. Bringing together rigorous theory, idiot proof "how to" tutorials, artistic works that illustrate each concept and method might sound a bit too much for a sole book written by only two authors but somehow, it works. Theory, techniques and illustrative works complement each other efficiently.’ – we make money not art

About the Author

Rebekah Modrak is a studio artist whose work has been shown at The Sculpture Center, Carnegie Museum of Art, and Kenyon College. She is Associate Professor in the School of Art & Design at the University of Michigan where she teaches courses involving photography, animation, mixed media, and photographic history.

Bill Anthes is Associate Professor of Art History at Pitzer College. He has received awards from the Georgia O’Keeffe Museum Research Center, the Center for the Arts in Society at Carnegie Mellon University, the Smithsonian Center for Folklife and Cultural Heritage, and the Creative Capital/Warhol Foundation Art Writers Grant Program.

Most helpful customer reviews

5 of 5 people found the following review helpful.
An Innovative and Refreshing Approach to Photography
By thinkart
I am at the beginning stages of my teaching career and I cannot tell you how important a resource this book has been for me. I am always striving to incorporate critical theory into my classrooms and encourage my students to take a more interdisciplinary approach to image-making and Reframing Photography perfectly marries the theoretical with the technical - thank you for putting it together!

This is a timely book given the ever-changing state of photography - it encourages readers to embrace the advancements, but not to the detriment of historical processes. The authors maintain an appreciation for the past with projects referring to historical processes and writings, and at the same time, remain firmly grounded in the now - this book is refreshing and a must read for anyone interested in the medium.

4 of 4 people found the following review helpful.
Finally! A book that can be used in multiple applications
By Garth Amundson
I've been using this book for several years and I have seen the direct results in the work produced by students. There is truly something for everyone in this book and students are able to not only acquire essential skills, but are also challenged by the provocative projects, suggestions, examples, and other resources provided in the text.

The combination of theory and practice is something I feel very strongly about, and until I adopted this text, I was forced to use a "technical" book and supplement courses with a "theory" text. The marvel of this book is that it's no longer necessary for students to buy an additional text, or force the instructor to constantly redirect them to additional resources. That said, the book also helps to initiate curiosity, so if students do want to pursue something further, the book and the website can be a great jumping-off point for bigger projects.

I'm redesigning my syllabi this year and using the book more directly. The teaching tools and website are an excellent enhancement, and the authors' attention to detail and constant updating makes it current and viable for any mixed media, photography, or foundation courses. I can be applied to literally any level of study.

The website is invaluable and I've used it in a multitude of ways: directing student undergraduates to graduate programs, showing the videos to introduce the students to practicing artists who testing the boundaries of photographic media, and the readings are a perfect complement to any course.

I rank this book as one of my favorites!

1 of 1 people found the following review helpful.
Bottomless Pit of Resources
By Stuart Murdoch
For my own pedagogical practice this book and its attendant website have become indispensable. If you are looking for fresh ways to inspire students about photography or just curious yourself about the history and processes this is a must own book.

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