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Art, Religion, Amnesia addresses the relationship between art and religion in contemporary culture, directly challenging contemporary notions of art and religion as distinct social phenomena and explaining how such Western terms represent alternative and even antithetical modes of world-making.
In this new book, Professor Preziosi offers a critique of the main thrust of writing in recent years on the subjects of art, religion, and their interconnections, outlining in detail a perspective which redefines the basic terms in which recent debates and discussions have been articulated both in the scholarly and popular literature, and in artistic, political and religious practice. Art, Religion and Amnesia proposes an alternative to the two conventional traditions of writing on the subject which have been devoted on the one hand to the ‘spiritual’ dimensions of artistry, and on the other hand to the (equally spurious) ‘aesthetic’ aspects of religion.
The book interrogates the fundamental assumptions fuelling many current controversies over representation, idolatry, blasphemy, and political culture. Drawing on debates from Plato’s proposal to banish representational art from his ideal city-state to the Danish cartoons of Mohamed, Preziosi argues that recent debates have echoed a number of very ancient controversies in political philosophy, theology, and art history over the problem of representation and its functions in individual and social life.
This book is a unique re-evaluation of the essential indeterminacy of meaning-making, marking a radically new approach to understanding the inextricability of aesthetics and theology and will be of interest to students and researchers in art history, philosophy and religion and cultural theory.
- Sales Rank: #2779127 in Books
- Brand: Brand: Routledge
- Published on: 2013-12-06
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 6.25" w x .50" l, .50 pounds
- Binding: Paperback
- 160 pages
- Used Book in Good Condition
Review
"Preziosi (emer., UCLA) seeks to illuminate the complexities of understanding involved, variously, in the experience and articulation of aesthetics with particular reference to the relationship between art and religion...Of greatest value to scholars and advanced researchers, this book also offers many insights to other well-educated readers. Summing Up: Recommended." - R. W. Liscombe, University of British Columbia in CHOICE
About the Author
Donald Preziosi is Professor Emeritus of Art History at UCLA, where he developed the art history critical theory program as well as the UCLA museum studies program. His research, teaching, and writing link together cultural studies, intellectual history, critical theory, and the arts and museologies of various ancient and modern societies.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Critiquing Art history
By Zippo
This is a rather short book, composed of several short “passages”, as Preziosi calls them. Not quite chapters, and not quite individual essays. It is at times a rather difficult read, but very rewarding. It offers more questions than answers (on purpose), and should be of interest to anyone invested/interested in art history (especially academics, obviously, but also a more “general” public - some prior knowledge of what I guess we still call postmodernism or poststructuralism is necessary)
The book offers a reading of Art and Religion as mutually constructed artifices, as mirror images of each other, as sustaining and fabricating each other, and in doing so offers a very strong critique of how art history still functions and how it is taught. It feels very much as a continuation of the work Preziosi has been doing since “Rethinking Art History” in 1991 (that book, and “Brains of the earth's body” are very useful as companions).
There are a lot of (very useful, interesting) references to other books, that as a reader you definitely will want to look for.
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